on another evening there was smokescreen
and sleep wiped like water with windshields until nothing but waking and darkness dwelt together
and in waking, darkness dreamt, and in darkness, waking wept, and so was kept the balance of things
though perhaps not quite balance
perhaps a grain of weight mislaid or a careless dullard denying the scale its daily maintenance
waking darkness dreamt and dreamt of darker things, and weeping wavers in the balance it brings
Tom Nikon. Tired, named for a lens he had nothing of and lost to an inheritance split too many times
It is a tired time Tom tells us, sitting with hand on camera lens and leaning forward, too close for telling of tales too far for touch or lipped tongue taste
It is a tired time and one empty of ambition
where few are willing and many are weak - flesh and spirit
and too Tom answers Mary Monet
who asks him
"But what of the new and unexplored
but what of me?"
Tom, taxed in twee response coaxes tired words to loss
and Mary Monet, who is not tired or twee, answers him unlovingly "Tom tired and taught, twee, unloved, untaught sleep now and do not bother me"
and where her words fell on his ears Tom felt he ought
and where her words fell on his ears Tom felt taught, stretched to breaking, unbreaking stretched to bending, unbending stretched to lord of infinite abyss and there to die, but for Mary Monet
who rescues with word play and crafts a seat of puns and net of nouns and sleeping cats and cradles, towns employed in lingering story stretching to the other shore the way of things on the sea to rhythms of wave and wind and Mary Monet with quiet content knows Tom has nothing and will soon be spent
as here, again, he goes
crying "I'm tired and out and roundabout and emptied through the nose, and when a husk, through myrrh and musk I'll leave and not suppose / that underhill and undersky and steep though course may be, a tired man with stewed brainpan will not a poet nor great bard be"
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